Browsing by Author Milam, Jennifer
Showing results 1 to 14 of 14
| Issue Date | Title | Author(s) | Citation |
|---|---|---|---|
| 2014 | Art and aesthetic theory: claiming Enlightenment as viewers and critics | Milam, Jennifer; Art History & Film Studies | Art and aesthetic theory: claiming Enlightenment as viewers and critics in The Cambridge Companion to The French Enlightenment, Cambridge University Press, 2014, pp. 122-136 |
| 2013 | "Art Girls": Philanthropy, Corporate Sponsorship, and Private Art Museums in Post-Communist Russia | Milam, Jennifer; Art History & Film Studies | "Art Girls": Philanthropy, Corporate Sponsorship, and Private Art Museums in Post-Communist Russia, Curator: The Museum Journal, vol.56, 4, 2013,pp 391-405 |
| 2015 | Betwixt and Between: Chinese Taste in Peter the Great's Russia | Milam, Jennifer; Art History & Film Studies | Betwixt and Between: Chinese Taste in Peter the Great's Russia in Qing Encounters: Artistic Exchanges between China and the West, Getty Publications, 2015, pp. 264-286 |
| 2016 | Cosmopolitan Time in the Jardin de Monceau | Milam, Jennifer; Art History & Film Studies | Cosmopolitan Time in the Jardin de Monceau, Studies in the History of Gardens and Designed Landscapes, vol.36, 4, 2016,pp 282-296 |
| 2017 | Cosmopolitan translation and patriotic sensibilities in German garden art | Milam, Jennifer; Art History & Film Studies | Cosmopolitan translation and patriotic sensibilities in German garden art, Intellectual History Review, vol.27, 3, 2017,pp 377-403 |
| 2017 | Ideas and Enlightenment | Milam, Jennifer; Parsons, Nicola; Art History & Film Studies; English | Ideas and Enlightenment, Eighteenth-Century Life, vol.41, 2, 2017,pp 3-8 |
| 2011 | Imagining Marie-Antoinette: Cultural Memory and the Deconstruction of History in Cinema | Milam, Jennifer; Art History & Film Studies | Imagining Marie-Antoinette: Cultural Memory and the Deconstruction of History in Cinema, French History and Civilization: papers from the George Rude Seminar, vol.4, N/A, 2011,pp 45-53 |
| 2003 | Introduction: art, cultural politics and the woman question | Milam, Jennifer; Hyde, M; Art History & Film Studies | Introduction: art, cultural politics and the woman question in Women, Art and the Politics of Identity in Eighteenth-Century Europe, Ashgate Publishing, 2003, pp. 1-19 |
| 2006 | Liminality and Pleasure in Gardens of Enlightenment Europe | Milam, Jennifer; Art History & Film Studies | Liminality and Pleasure in Gardens of Enlightenment Europe, N/A, vol.N/A,(),2006,pp 29-29 |
| 2003 | Matronage and the direction of sisterhood: portraits of madame Adelaide | Milam, Jennifer; Art History & Film Studies | Matronage and the direction of sisterhood: portraits of madame Adelaide in Women, Art and the Politics of Identity in Eighteenth-Century Europe, Ashgate Publishing, 2003, pp. 115-138 |
| 2008 | A monk, the writer and his painter: Diderot's imagining of a Fragonard | Milam, Jennifer; Art History & Film Studies | A monk, the writer and his painter: Diderot's imagining of a Fragonard in Word and image in the long eighteenth century: an interdisciplinary dialogue, Cambridge Scholars Publishing, 2008, pp. 227-247 |
| 2015 | Rococo Representations of Interspecies Sensuality and the Pursuit of Volupté | Milam, Jennifer; Art History & Film Studies | Rococo Representations of Interspecies Sensuality and the Pursuit of Volupté, Art Bulletin, vol.97, 2, 2015,pp 192-209 |
| 2012 | Toying with China: Cosmopolitanism and Chinoiserie in Russian Garden Design and Building Projects under Catherine the Great | Milam, Jennifer; Art History & Film Studies | Toying with China: Cosmopolitanism and Chinoiserie in Russian Garden Design and Building Projects under Catherine the Great, Eighteenth-Century Fiction, vol.25, 1, 2012,pp 115-138 |
| 2017 | Visual and aural intellectual histories: an introduction | Maddox, Alan; Milam, Jennifer; Musicology Unit; Art History & Film Studies | Visual and aural intellectual histories: an introduction, Intellectual History Review, vol.27, 3, 2017,pp 285-298 |