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Issue DateTitleAuthor(s)Citation
2017Pan-Indigenous Encounter in the 1950s: 'Ethnic Dancer' Beth DeanHarris, Amanda; PARADISECPan-Indigenous Encounter in the 1950s: 'Ethnic Dancer' Beth Dean, Australian Historical Studies, vol.48, 3, 2017,pp 328-345
2015PARADISEC: its history and futureBarwick, Linda; Harris, Amanda; Thieberger, Nicholas; Conservatorium Admin; PARADISECPARADISEC: its history and future in Research, Records and Responsibility: Ten Years of PARADISEC, Sydney University Press, 2015, pp. 1-15
2012Re-Presenting Italy in Australia through Theatre and Music, 1972–2007Barwick, Linda; Comin, Antonio; PARADISECRe-Presenting Italy in Australia through Theatre and Music, 1972–2007 in Italy in Australia’s Musical Landscape, Lyrebird Press, 2012, pp. 41-64
2006Research on early notations for the history of Togaku and points of scholarly contention in their interpretationMarett, Allan; PARADISECResearch on early notations for the history of Togaku and points of scholarly contention in their interpretation, Yearbook for Traditional Music, vol.38,(1),2006,pp 79-95
2014The Role of Songs in Connecting the Living and the Dead: A Funeral Ceremony for Nakodjok in Western Arnhem LandBrown, Reuben; PARADISECThe Role of Songs in Connecting the Living and the Dead: A Funeral Ceremony for Nakodjok in Western Arnhem Land in Circulating Cultures: Exchanges of Australian Indigenous Music, Dance and Media, ANU Press, 2014, pp. 169-201
2007Simplifying musical practice in order to enhance local identity: the case of rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory)Marett, Allan; PARADISECSimplifying musical practice in order to enhance local identity: the case of rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory), Australian Aboriginal Studies, vol.2, N/A, 2007,pp 63-75
2014The Spectacle of Woman as Creator: representation of women composers in the French, German and English feminist press 1880-1930Harris, Amanda; PARADISECThe Spectacle of Woman as Creator: representation of women composers in the French, German and English feminist press 1880-1930, Women's History Review, vol.23, 1, 2014,pp 18-42
2012Thoughts on Music and MigrationBarwick, Linda; Sorce Keller, Marcello; PARADISECThoughts on Music and Migration in Italy in Australia’s Musical Landscape, Lyrebird Press, 2012, pp. 225-231
2012Transnational Perspectives on Italy in Australia's Musical LandscapeBarwick, Linda; Sorce Keller, Marcello; PARADISECTransnational Perspectives on Italy in Australia's Musical Landscape in Italy in Australia’s Musical Landscape, Lyrebird Press, 2012, pp. 3-12
2016Travelling ancestral women: connecting Warlpiri people and places through songsCurran, Georgia; PARADISECTravelling ancestral women: connecting Warlpiri people and places through songs in Language, Land and Song: Studies in honour of Luise Hercus, EL Publishing, 2016, pp. 409-424
2011Unpacking the Testimony of Gerald Blitner: Cross-cultural brokerage and the Arnhem Land ExpeditionThomas, Martin; PARADISECUnpacking the Testimony of Gerald Blitner: Cross-cultural brokerage and the Arnhem Land Expedition in Exploring the Legacy of the 1948 Arnhem Land Expedition, ANU E Press, 2011, pp. 377-401
2010Vanishing songs: how musical extinctions threaten the planetMarett, Allan; PARADISECVanishing songs: how musical extinctions threaten the planet, Ethnomusicology Forum, vol.19, 2,pp 249-262
2017Warlpiri Ritual Contexts as Imaginative Spaces for Exploring Traditional Gender RolesCurran, Georgia; PARADISECWarlpiri Ritual Contexts as Imaginative Spaces for Exploring Traditional Gender Roles in A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A Wild, ANU Press, 2017, pp. 73-88
2015What is an Expedition: An IntroductionThomas, Martin; PARADISECWhat is an Expedition: An Introduction in Expedition into Empire: Exploratory Journeys and the Making of the Modern World, Routledge, 2015, pp. 1-24
2016Women's yawulyu songs as evidence of connections to and knowledge of land: the JardiwanpaCurran, Georgia; Turpin, Myfany; Laughren, Mary; Peterson, Nicolas; PARADISEC; Arts Music UnitWomen's yawulyu songs as evidence of connections to and knowledge of land: the Jardiwanpa in Language, Land and Song: Studies in honour of Luise Hercus, EL Publishing, 2016, pp. 425-455
2016Women's yawulyu songs as evidence of connections to and knowledge of land: the JardiwanpaCurran, Georgia; Turpin, Myfany; Laughren, Mary; Peterson, Nicolas; PARADISEC; Arts Music UnitWomen's yawulyu songs as evidence of connections to and knowledge of land: the Jardiwanpa in Language, Land and Song: Studies in honour of Luise Hercus, EL Publishing, 2016, pp. 425-455
2016Women's yawulyu songs as evidence of connections to and knowledge of land: the JardiwanpaCurran, Georgia; Turpin, Myfany; Laughren, Mary; Peterson, Nicolas; PARADISEC; Arts Music UnitWomen's yawulyu songs as evidence of connections to and knowledge of land: the Jardiwanpa in Language, Land and Song: Studies in honour of Luise Hercus, EL Publishing, 2016, pp. 425-455
2016Women's yawulyu songs as evidence of connections to and knowledge of land: the JardiwanpaCurran, Georgia; Turpin, Myfany; Laughren, Mary; Peterson, Nicolas; PARADISEC; Arts Music UnitWomen's yawulyu songs as evidence of connections to and knowledge of land: the Jardiwanpa in Language, Land and Song: Studies in honour of Luise Hercus, EL Publishing, 2016, pp. 425-455
2016Women's yawulyu songs as evidence of connections to and knowledge of land: the JardiwanpaCurran, Georgia; Turpin, Myfany; Laughren, Mary; Peterson, Nicolas; PARADISEC; Arts Music UnitWomen's yawulyu songs as evidence of connections to and knowledge of land: the Jardiwanpa in Language, Land and Song: Studies in honour of Luise Hercus, EL Publishing, 2016, pp. 425-455
2008Word Territory: Recording Aboriginal Language with R.H. MathewsThomas, Martin; PARADISECWord Territory: Recording Aboriginal Language with R.H. Mathews, History Australia, vol.5, 2, 2008,pp 37.1-37.18