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Issue DateTitleAuthor(s)Citation
2011Art, Image and Spectacle in High Concept CinemaIsaacs, Bruce; Art History & Film StudiesArt, Image and Spectacle in High Concept Cinema in The films of James Cameron: critical essays, McFarland & Company, Inc., Publishers, 2011, pp. 90-108
2016The artist as collector: Francois Boucher (1703-1770)Priebe, Jessica; Art History & Film StudiesThe artist as collector: Francois Boucher (1703-1770), Journal of the History of Collections, vol.28, 1, 2016,pp 27-42
2009The Artists of Angkor: contemporary and medieval stone workshops in CambodiaPolkinghorne, Martin; Art History & Film StudiesThe Artists of Angkor: contemporary and medieval stone workshops in Cambodia, T A A S A Review, vol.18, 4,pp 10-12
2016Asian Art History in Australia: Its Functions and AudienceClark, John; Art History & Film StudiesAsian Art History in Australia: Its Functions and Audience, Australian and New Zealand Journal of Art, vol.16, 2, 2016,pp 202-217
2011'Asian Art' and AustraliaClark, John; Art History & Film Studies'Asian Art' and Australia in The Cambridge Companion to Australian Art, Cambridge University Press, 2011, pp. 217-230
2011'Asian Art' and AustraliaClark, John; Art History & Film Studies'Asian Art' and Australia in The Cambridge Companion to Australian Art, Cambridge University Press, 2011, pp. 217-230
2013Asian Artists as Long-Distance Cultural Specialists in the Formation of ModernitiesClark, John; Art History & Film StudiesAsian Artists as Long-Distance Cultural Specialists in the Formation of Modernities in Asia through Art and Anthropology: Cultural Translation Across Borders, Bloomsbury Academic, imprint of Bloomsbury, 2013, pp. 19-32
2013Asian Artists as Long-Distance Cultural Specialists in the Formation of ModernitiesClark, John; Art History & Film StudiesAsian Artists as Long-Distance Cultural Specialists in the Formation of Modernities in Asia through Art and Anthropology: Cultural Translation Across Borders, Bloomsbury Academic, imprint of Bloomsbury, 2013, pp. 19-32
2014Australian Art on the Move: Christo and Jeanne-Claude's 'Wrapped Coast'Broadfoot, Keith; Art History & Film StudiesAustralian Art on the Move: Christo and Jeanne-Claude's 'Wrapped Coast', Australian and New Zealand Journal of Art, vol.14, 1, 2014,pp 58-75
2006An Australian Creative Space: Where is Australian-Asian art now?Clark, John; Art History & Film StudiesAn Australian Creative Space: Where is Australian-Asian art now? in 2006 /contemporary commonwealth/, National Gallery of Victoria, 2006, pp. 26-35
2011The Australian TableauBroadfoot, Keith; Art History & Film StudiesThe Australian Tableau, Eyeline, vol.75, N/A, 2011,pp 42-47
2016Banality, Memory and the Index: Thomas Demand and Hitler's photographerBrett, Donna; Art History & Film StudiesBanality, Memory and the Index: Thomas Demand and Hitler's photographer, Photographies, vol.9, 3, 2016,pp 233-249
2012Barthes's Religious Substance: Photography and AcheiropoietosBroadfoot, Keith; Art History & Film StudiesBarthes's Religious Substance: Photography and Acheiropoietos, Image and Narrative: online magazine of the visual narrative, vol.13, 3, 2012,pp 141-154
2015Becoming Professional Artists in Postwar Singapore and Malaya: Developments in Art during a time of Political TransitionLow, Yvonne Yanmei; Art History & Film StudiesBecoming Professional Artists in Postwar Singapore and Malaya: Developments in Art during a time of Political Transition, Journal of Southeast Asian Studies, vol.46, 3, 2015,pp 463-484
2015Betwixt and Between: Chinese Taste in Peter the Great's RussiaMilam, Jennifer; Art History & Film StudiesBetwixt and Between: Chinese Taste in Peter the Great's Russia in Qing Encounters: Artistic Exchanges between China and the West, Getty Publications, 2015, pp. 264-286
2007Beyond EuramericaClark, John; Art History & Film StudiesBeyond Euramerica in Contemporary art and the museum: a global perspective, Hatje Cantz Verlag, 2007, pp. 66-78
2009Beyond the National, inside the Global: New Identity Strategies in Asian Art in the Twenty-First CenturyClark, John; Art History & Film StudiesBeyond the National, inside the Global: New Identity Strategies in Asian Art in the Twenty-First Century, Crossing Cultures: Conflict, Migration and Convergence - The Proceedings of the 32nd International Congress in the History of Art, vol.N/A,(),2009,pp 58-59
2010Biennials as structures for the writing of art history: the Asian perspectiveClark, John; Art History & Film StudiesBiennials as structures for the writing of art history: the Asian perspective in The Biennial Reader, Hatje Cantz Verlag, 2010, pp. 164-183
2009The Birth of a Nation: Living on the Land in Lucky CountryIsaacs, Bruce; Art History & Film StudiesThe Birth of a Nation: Living on the Land in Lucky Country, Metro Magazine, vol.2009, 161,pp 36-40
2014The Blot on the Landscape: Fred Williams and Australian Art HistoryBroadfoot, Keith; Art History & Film StudiesThe Blot on the Landscape: Fred Williams and Australian Art History, Journal of Art Historiography, vol.11, N/A, 2014,pp 1-32